Nils Øivind Haagensen sitat

The second day I was in Texas. I was traveling through the part where the flat-footed, bilious, frog-sticker-toting Baptist biscuit-eaters live. Then I was traveling through the part where the crook-legged, high-heeled, gun-wearing, spick-killing, callous-rumped sons of the range live and crowd the drugstore on Saturday night and then all go round the corner to see episode three of "Vengeance on Vinegar Creek," starring Gene Autry as Borax Pete. But over both parts, the sky was tall hot brass by day and black velvet by night, and Coca Cola is all a man needs to live on. Then I was traveling through New Mexico, which is a land of total and magnificent emptiness with a little white filling station flung down on the sand like a sun-bleached cow skull by the trail, with far to the north a valiant remnant of the heroes of the Battle of Montmartre in a last bivouac wearing huaraches and hammered silver and trying to strike up conversations with Hopis on street corners. Then Arizona, which is grandeur and the slow incredulous stare of sheep, until you hit the Mojave. You cross the Mojave at night and even at night your breath rasps your gullet as though you were a sword swallower who had got hold of a hack-saw blade by mistake, and in the darkness the hunched rock and towering cactus loom at you with the shapes of a visceral, Freudian nightmare. Then California.

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